April 30th, 2009
1:32:49 am
Movies
Watching a presentation by Brian Newman, CEO of Tribeca Film Institute, I took note of a discussion on the value of having a film screen as a worldwide, nationwide or regional premiere at a given festival. Newman says he believes the social experience of a festival screening renders the requirement unnecessary, even when a film is fully and freely available online, though his colleagues at the Tribeca Film Festival disagree.
It’s been a few years since I submitted a film to a festival, but I remember it being a miserable process. It’s hard enough to deal with deadlines, trips to the post office (do people do that anymore?) and all those fees (a nasty debate in itself), but I found the premiere requirements practically crippling. Since then, I’ve attended many festivals and have even helped program one, so I have a different understanding of how these things work.
Below, I examine the issue from the perspective of different groups involved and see how each is affected by premiere requirements. I encourage anyone with more experience or a different take to post a comment.
Read the rest of this entry »
Tags: audience, brian newman, distribution, film, film festival, gen art, industry, premiere, rules, submission
Here is an audio recording of our full panel at Independent Film Festival Boston, Followers: How Filmmakers are Building Their Audiences Online in the 21st Century.
You can listen with the embedded player below or download the full mp3.
The other panelists were:
- Scott Kirsner (moderator) is a journalist and all-around smart guy. He’s the author of two books, Inventing the Movies, which I frequently cite as a defining analysis of how the film industry falls behind on innovation, and Fans, Friends & Followers, an excellent collection of interviews with artists who build their own audiences and distribute their own work. He also writes the blog Cinematech.
- Chris Holland Director of Festival Operations at B-Side and author of Film Festival Secrets.
- Sean Flynn producer and cinematographer at Principle Pictures.
We discussed a range of topics, including:
- Benefits and pitfalls of social networking (Facebook, MySpace, Twitter, etc.)
- Strategies for reaching audiences before, during and after production
- Crowdsourcing to build audiences as well as help production
- How much of your content to post online for free
- Ad revenue models
- Distribution formats (DVD, download, streaming, theatrical, etc.)
- Applying all the above to other media such as music and art
Tags: audience, audio, b-side, boston, chris holland, film festival, iffb, panel, scott kirsner, sean flynn, speaking engagement
On Sunday, April 26, 2009, I will be speaking at a panel at Independent Film Festival Boston on digital strategies for building and communicating with your audience. I hope to reveal some of the tools I’ve been working on over the past year.
I’m looking forward to attending IFFB for the first time. I’ve heard great things about the festival, since Four Eyed Monsters played there in 2005, and the festival’s Program Director Adam Roffman managed the very successful Boston release of the film in 2006.
Here are the Details:
Sunday, April 26, 2009 @ 12:00 pm
Somerville Theatre
55 Davis Sq
Somerville, MA 02144
(617) 625-5700
map
The other panelists are:
- Scott Kirsner (moderator) is a journalist and all-around smart guy. He’s the author of two books, Inventing the Movies, which I frequently cite as a defining analysis of how the film industry falls behind on innovation, and Fans, Friends & Followers, an excellent collection of interviews with artists who build their own audiences and distribute their own work. He also writes the blog Cinematech.
- Chris Holland Director of Festival Operations at B-Side and author of Film Festival Secrets.
- Sean Flynn producer and cinematographer at Principle Pictures.
Update: I recorded and posted the entire panel here.
Tags: audience, b-side, boston, film festival, iffb, panel, scott kirsner
DIY Days launched today in Los Angeles, and here is my video presentation that I made remotely, since I was unable to make it to LA this time.
The video is also available on YouTube.
As promised in the video, here is a list of some of the tools I use and recommend. If you have any to add, post them in a comment. I’ll update this post if I find any others that are useful.
General Information Tools
WordPress: This is the blogging software that runs this website, as well as foureyedmonsters.com, Workbook Project and tons of others. It’s free and open source. You can have it hosted for free on wordpress.com, or you can download it and install it on your own web server and customize it further. In addition to blog posts, you can set up more permanent “pages” for information about your film that isn’t time-based (example).
Learn more and get WordPress at http://wordpress.org
Google Analytics: Most web hosting services provide basic reporting, but Google Analytics offers a clean, more reliable way to track your web traffic and drill down to find more information. I use this mostly to learn where incoming links are coming from and to see which pages and posts on my sites are getting the most attention. This is also free. If you have WordPress, you can use this plugin to easily get Analytics running on your site.
Learn more and sign up for Google Analytics at http://google.com/analytics
Discovery Tools
Search Engine Optimization: This is not a specific software tool so much as a tactic for making your website easier to find through search engines. There are a few WordPress plugins out there, but your best bet is to search around the web for articles. Andrew Peterson, who worked on the Four Eyed Monsters distribution team sometimes blogs about SEO. Some people try to game the system or cheat to get higher search rankings, but I try to use tactics that will also make a site easier and more informal for humans as well as for Google.
Learn about Search Engine Optimization on Wikipedia
Social Networks: This includes the obvious sites, like Facebook and MySpace, but many other sites have social networking components. YouTube, Flickr, Twitter or any other site that let’s you link up to other friends on the same service is a social network. Most social networks will show your friends what you’re up to, and they will show their friends in turn that they’re watching you.
Spreading and Sharing Tools
Social Bookmarking: A variety of tools exist that allow you to bookmark resources on the web and share them publicly. I use del.icio.us (a.k.a. Delicious), but there are a ton of others (Digg, StumbleUpon, Facebook, etc.), each a bit different in exact purpose and features. Encourage your audience to share your videos, posts, etc. on these sites. I use Social Bookmarking RELOADED, which is a WordPress plugin that automatically adds social bookmarking links to every post on my blog. Also, check out ShareThis, which is what you saw on the Iron Sky site in the above video.
Subscription Tools
RSS and Atom Feeds are formats of machine-readable XML versions of websites. They’re great for reading blogs using news reader software, such as Google Reader. The idea is that posts on blogs you read are pushed to you through the reader software so you don’t have to remember to go back to the blog website. They’re also great for syndicating information between sites. The differences between RSS and Atom are subtle and technical, so for right now, they’re almost the same exact thing.
Learn more about feeds
Feedburner is a tool for optimizing RSS and Atom feeds that come out of your blog. It will also help you track how many people are reading your blog through the feed, and you can easily set up an email digest version of your feed. I use this plugin to easily integrate Feedburner into my WordPress blog.
Learn more and sign up at http://www.feedburner.com
Twitter is a service that allows you to very easily post short updates, up to 140 characters from your cell phone, IM (Jabber/GTalk), a website or a variety of software. People can subscribe to your Twitter feed using RSS/Atom or through Twitter itself via those same platforms (text messages, instant messaging, etc.). You can also use the same RSS feed to syndicate these updates to your website, Facebook or other services. This is a great way to keep the updates coming without much time investment.
Learn more and sign up at Twitter.com
Interaction Tools
Disqus: WordPress and other blogging software come with built-in comment functions. Encourage your audience to post comments to keep the discussion going. Disqus is a service that plugs in to your blog and enhances the discussion features. Use these to keep your fans invested, get feedback on what you’re posting and see which fans are most involved.
Learn more and sign up for Disqus
cforms: This should be obvious, but not every film site has this. I use this WordPress plugin to create a great contact form on my site so people can email me directly and privately without me having to post my email address online, which invites tons of spam. It also tracks incoming emails in a database so I can keep an eye on who’s in touch.
Get cforms
Examples
Here are some film and media channel sites that show off some of the tools and strategies I talked about in this video.
For some tips on what not to do with your site, read this article I wrote a few months ago on bad Flash movie websites.
Thanks to Alex Johnson for shooting this video.
Tags: audience, distribution, DIY Days, from here to awesome, independent film, tools, Video, websites